Tour site · Landing hero
Miraidukuri Company is based in Tokyo and designs immersive cultural programs for international visitors. My work there spans several customer-facing touchpoints: the bilingual tour website, a partner brochure, a mascot character and illustration system, a standalone campaign site with original artwork, and video content for their YouTube channel.
My work there covers two disciplines. The tour site was a product case with research and IA decisions. Everything else was visual design: booklet, mascot, illustration, video, and campaign identity. Both are shown below.
A bilingual site for international travelers booking premium cultural experiences in Japan. I designed the full UI and handed it off to a developer for build. The site needed to balance editorial warmth with clear conversion paths for tour bookings. The revamp launched in Q1 2025.
exp.miraidukuri.co.jpI ran 7 moderated interviews with international travelers in late 2024, before the revamp started. The target group was the audience the tour site needed to convert: English-speaking visitors researching cultural experiences in Japan. Three problems kept surfacing: the design felt outdated and did not match a premium travel brand, the tour structure felt confusing with too many variants to compare, and key booking details were buried too deep to reach without friction.
One tour, one page
The old site fragmented each tour across multiple pages: different day-length variants as separate clickables, with Japanese and English versions living in parallel. Travelers could not compare variants side by side and bounced between pages looking for the right fit. I consolidated every tour into a single page with day-length options selectable inline, and replaced duplicate language pages with a bilingual toggle. One tour, one destination, one decision surface.
Details before clicks
International travelers landing on the old site needed three clicks minimum before reaching the information they actually needed to book: category, then tour index, then description. I restructured each tour page so the first view surfaces what drives the booking decision: itinerary, day-length, price range, photos. The highest-friction decisions now happen above the fold, not three pages in.
Visual language for inbound travelers
The old site read as long-form domestic editorial: stamp-style logo, text-heavy article layouts, dated typography. It did not match the premium cultural-experience positioning the company targets for inbound travelers. I reset the typography, brought in cinematic tour imagery as the primary storytelling surface, and aligned the nav structure with the register of higher-end travel brands.
Before · Company page, pre-revamp
Before · Tour listing, pre-revamp
After · Prototype overview, six tour pages with full navigation flows
Before the revamp, most tour photography on the site came from monitor tours I ran for feedback. Actual paid bookings were rare. After launch, the site started converting real inquiries for the first time. I do not have a clean quantitative lift to claim: analytics were not instrumented to compare before and after. A post-launch audit surfaced SEO metadata gaps outside the design scope, including missing hreflang tags and incomplete Open Graph data.
To launch the new website, a partner booklet was designed for distribution to tour operators, travel agents, and cultural institutions across Japan. It had to function as a standalone sales tool, so every spread was structured to tell a complete story without requiring a presenter.
Brochure · Cover
Brochure · Introduction spread
Brochure · Satsuma Sendai Samurai tour
Brochure · Lake Biwa Fireworks tour
Concepts for planned tour programs and regional projects. Each mark reflects the cultural identity of its area, designed to work at small sizes on printed materials and digital platforms alike.
Logo explorations · Motorcycle × Wellness, Noto Tour, Musubi Cube
I created Mirai-kun, a shiba inu character used across social media, event materials, and the company's YouTube channel. I also edit the channel's vlog-style videos, where Mirai-kun serves as the recurring visual anchor. The tone is intentionally personal rather than corporate.
Mirai-kun · Character poses
A campaign promoting Japanese tea culture to a wider audience. I designed the overall visual identity for the 2025 event, including all illustrations, posters, and key visuals. I also designed the campaign's website page. The direction leaned warm and approachable, matching the casual, community-driven tone of the initiative.
japanteaaction.jp
Landing page
Intro section
Experience flow · Four steps
All design above is mine. A developer partner handled the tour site build and a translator supported the bilingual copy.
The range came at the cost of depth. I had to ship fast across mediums every week, and the context-switching often cost more than the range was worth. What I missed was staying with one problem long enough to solve it well.